Hidizs Mermaid MS2 Review: Vocals Galore

Hidizs Mermaid MS2 Review: Vocals Galore



As far as ChiFi goes, Hidizs is a brand that some may have heard of in passing but not haven’t paid much attention to. They’re mostly known for their affordable DAPs and portable amp/DACs though they have started to branch out into making IEMs. For today’s review, I’ll be looking at one of those IEMs, the Hidizs Mermaid MS2. Priced at $90, it’s a hybrid IEM with a 10.2 mm DD and a single Knowles BA setup. To be honest, I’m always a little apprehensive about reviewing gear at this price range considering how hyper competitive it is. Hopefully the MS2 will be able to stand its ground.

What’s in the Box?

The unboxing experience is pretty nice. Open the box and the IEMs are seated right on top. Below is a black box with a brushed aluminum top showcasing the Hidizs logo. Inside contains the 6 pairs of generic silicon tips and the 2-pin cable. The case has a magnetic lid and a rubberized inlay. I really like the stock 2-pin cable. It’s looks good, is well built, light, and supple with no cable memory. There is a little cable noise, however.

The IEM shell has a 2-layer faceplate where the outer part has the Hidizs logo that casts 3D-like shadow on the opalescent inner part. Unfortunately, it looks a lot better than it feels. The lightweight plastic used for the shell doesn’t evoke a sense of luxury. Still, it plenty comfortable for me and for the price that’s about all I ask for.



Generally, whenever I get a new IEM in the budget class from a manufacturer without prior history of excellence, I expect the worst. For the MS2, I thought it was going to be an ugly, bassy mess. I was wrong. The MS2 is a very vocal forward IEM with a bright signature. On the technical front, it’s nothing outstanding but solid. I’ll admit I was lukewarm on it at first listen but as I spent more time with it writing this review, I’ve come to enjoy it. The MS2 works particularly well for genres like rock and metal where its upper mids clarity works overtime.


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